The mid-1980s were a great time to be a Mac fanatic.
The machine was new, developers were coming out with neat stuff for it, and even though there wasn’t an Internet, we all felt connected through magazines, Bulletin-Board Systems (BBSes), CompuServe, user groups, newsletters, and the floppy disk service EduComp.
One of the stars of that period was a young woman artist named Trici Venola.
Her artwork was seemingly everywhere and it was easy to spot because of her very distinctive style.
One of the things she worked on was Foundation Software’s Comic Strip Factory. But I remember her most from her work for MacWeek, a weekly electronic magazine that was distributed via BBSes and those EduComp floppy disks. (This MacWeek was before there was a weekly tabloid on paper.)
Oh yes, kids, long before there was a Palm Pilot and Peanut Press and Fictionwise doing eBooks, there were electronic publications. And the Macintosh had the best. MacWeek was memorable due to the passion of Jerry Daniels, Mary Jane Mara, and the artwork of Trici Venola.
For an upcoming post about screen design for publishing, I tracked down Trici (she is currently enjoying life in Turkey). I asked for one thing, didn’t get it, but wound up with some delightful lost Macintosh history that I’m excited to show everyone.
It’s a comic strip done for the MacUnderground, an early online service for Macintosh users.
Trici doesn’t remember, but I met her briefly at Foundation Publishing’s booth at CES in Chicago way back when. Doug Clapp (where’d he go?) was manning the booth and Trici was there too. She showed me her mouse finger and how it was bent inward. She drew all of her work by mouse. Keep that in mind!
After the break, words from Trici herself and some sample panels.