mozambook publie les grands textes de la littérature. Les ebooks sont au format Microsoft Reader (PC et PocketPC) et pdf (lisibles avec Adobe Acrobat Reader et Acrobat Ebook Reader). Ebooks et lecteurs sont gratuits. Le catalogue compte à ce jour 117 titres. La lettre d’information vous tient régulièrement au courant des dernières parutions (inscription au bas de cette page).
N’hésitez pas à nous contacter si vous voulez contribuer à l’enrichissement de la bibliothèque.
eBooks are in .lit (MS Reader) and PDF file formats.
They have, among others, three by Baudelaire and three by Nerval!
— Via Twitter from top_book
Over at Dear Author is a post and discussion about the effectiveness of advertising eBooks.
This is an essay in itself, which I don’t intend to do today. But I want to touch on some things.
How have I discovered books?
Bookstores and the public library.
I’d go into a Barnes & Noble and browse the new books in fiction, non-fiction, and several genres. I’d note the titles and authors in my PDA. I’d then check to see if I could get them from the NYPL. (Shut up. I’ve already said why I can’t buy print.)
At the library, sort of ditto. I’d see New Releases in several sections. But I’d also browse the shelves. That’s how I came across the first Ken Bruen book I ever read.
The trouble with the Internet: No shelves!
How will I — how will everyone — find eBooks? Or even writers?
This is an interesting list from my Bookmarks. These are writers I did not encounter until I came across them on the Internet (list is in reverse alpha order by surname because that’s how I lazily copied & pasted them):
Zoe Winters — via a blog post mention somewhere, and she left a Comment on this blog
Anthony Neil Smith — via Victor Gischler (a writer recommended by Ken Bruen)
Jimmy Lee Shreeve — I don’t recall, probably a blog mention somewhere
L.J. Sellers — via a Blog Book Tour post somewhere
Jason Pinter — via MySpace
Melanie Phillips — don’t recall, probably a blog post mention
Martin Millar — don’t recall, probably a blog post mention
J.A. Konrath — a blog post mention somewhere
Simon Haynes — via Twitter free eBook offer from a third-party (I think!)
Matthew Gallagher — don’t recall, which is odd, as his blog is very new
Joseph Devon — via a blog post mention somewhere
Cliff Burns — he left a Comment at this blog in its first month
Matthew St. Amand — via MySpace
Notice how only one of these came about because of the writer seeking attention! (Cliff Burns — and the attention wasn’t for himself, it was indirectly as part of a discussion here.)
Most were absolutely indirect. The Internet equivalent of Word Of Mouth.
This is why I mention writers all the time here. This is why I post what books I’ve read (Category: Reading). This is also why I’ve changed my Internet habits and have mostly dropped what I used to do daily: visit mostly tech sites. I can’t find books to read that way. (Plus, technology qua technology mostly bores the shit out of me these days.)
Do you have a blog? Do you mention what books you’ve read? Do you mention writers by name and link to their blog or site or a post that inspired you?
That’s the first step to helping writers get noticed.
The rest I’ll have to save for another time.
I’ve gotten a small wee teeny-tiny glimpse into an entire genre of fiction I never even knew existed: romantic erotic fiction (different than this). There are many writers doing this. Some of them are even making money selling eBooks. There seems to be an entire blogdom devoted to this genre, with blogs that cover the genre as well as blogs from individual writers.
It’s not the kind of thing I’d read. I have no interest, for example, in fantasy books (despite the fact I think Patricia McKillip is one of the best writers of it and I love her writing, but I can’t stop the fantasy elements from annoying me) and I rarely read SF now, either.
So all of my comments are from the point of view of the outsider.
The subject being one I addressed — again — in fury last night: Writers: Just Effing SAY It!
This being the Internet, I quickly went from link to link. Yeesh.
I came across a post by a publisher musing about the behavior of writers (and an infamous “morality clause” that’s been inserted into contracts by one British dying dinosaur of print publisher).
I also came across a really bizarre post that seems to hold publishers responsible in a sleazy guilt-by-association way for the behavior of its writers. (But it also makes an on-target point about how ePublishers must have websites that inspire transactional confidence in potential buyers.)
And there were many other links that referenced past battles that have erupted in this writing culture.
But there was one post that lit the bulb over my dim head and put it all in perspective: The Erotic Romance & Epublisher Comparison blog (EREC) takes a look at publishers’ sales figures.
Here is the problem:
The “average” in question is an arithmetic mean. So the average EC book is selling 796 books a year. I thought that was fairly clear but I live and learn. Whether that is enough for any given author is up to them once the info is made available.
And here’s an explanation of the figures for ebooks out for a year or more from another reader:
EREC has received information on sales for 24 seperate EC titles.
Averaging out those sales for the 24 books (total number of all 24 titles sold divided by 24) equals, on average, an EC book sells 1206 copies in its first year.
That’s not a market. It’s a club!
I call it a club because the number of readers is so small that everyone is bound to know everyone else. It’s like a stifling small town in the midwest that intelligent young people grow up in, finally take a real look at, and then flee.
I think its writers must flee.
For those toiling in that field, take a look at this: Sony eBook Store: A $2.38 eBook!.
I bring up that point because sales on the Sony eBook Store are one way to go beyond the boundaries of a small town/club. Looking at its bestseller list illustrates that the audience isn’t genre-heavy, but brick and mortar general bookstore-like. (Let me pre-empt one future Comment: Yes, I see the ePublisher. Yes, I see it’s a member of The Club. Still: it’s the Sony eBook Store.)
Flee. Get creative about marketing yourself and your work to places other than the expected. I first heard about William Gibson’s Neuromancer — shortly after its publication — not from SF addicts, but from people who consulted in the technology field. And these people were not SF addicts (and, for a litmus test, regarded Star Trek as just another TV show; blasphemy, I know!).
There has to come a point in every life where an assessment is made of present surroundings and a decision has to be made: Do I continue to wallow here or do I get the hell out and take my chances?
Take your chances!
All of you must live near radio stations or TV stations or newspapers. Have any of you sent out press releases to them? Positioned yourself as any sort of authority on topics they might cover (cheating spouses — hey, I know about that! fantasy lovers — ditto! Sex on the Internet — have I got tales to share!)? You must find a microphone outside of the The Club. It’s the only way to attract readers and the only way to tell the moralistic groupies to go Fuck Off.
Let me tell you: This is work. Hard work. But every writer has to reach a point between books, when writing isn’t being done. Or even burnout. Or the frightening writer’s block. There is time to do This Hard Work.
It’s a decision every writer who wants a career is going to have to make.
For all those writers out there feeling the press of a bluenose’s thumb, make the decision to get out from under.
Your life is your life. Don’t let it be clubbed into dank submission.
— Charles Bukowski
(Note: Writer Zoe Winters might disagree with some of the above.)
Yeah, I’ve been away for a while, but I have eight prior posts here about it! I should have like, you know, a special Mike Cane Priority Override. Or something. Ha!