He Understands Something Is Missing

August 14, 2009

Don’t book in a revolution just yet

Jose Borghino, from the Australian Publishing Association, said the industry was currently in discussion to develop a unified system to deliver book titles.

“The publishing industry is very ready for this, it’s just the matter of finding that killer app which will shift people’s understanding of what a book can be and can do,” Mr Borghino said.

Emphasis added by me.

Unfortunately, the context is that of the Axis of E: eInk, ePub, and eBook.

But just his phrasing there makes me hopeful that he senses the Axis of E is not there, not good enough, and will not succeed.

Someone else grasps that:

Dr Jason Sternberg, lecturer in media and communication at the Queensland University of Technology, said he didn’t think the industry in Australia should brace itself for a revolution in the consumption of the written word .

“These things have been around for a while, one of the initial predictions was how we would get digital newspapers on these tablets but the internet kind of killed that,” he said.

“I just do not see these replacing the book on a mass scale.”

Emphasis added by me.

Exactly.



The Eleven Axioms of 21st Century Book Publishing

August 14, 2009

1 – All publishers are information engines, not producers of objects

2 – A book is no longer a thing in itself

3 – Connections between books add value to all books

4 – A non-fiction book is only the beginning of its story

5 – Even fiction books connect to all other books

6 – A book’s deep metadata is worth more than the book itself

7 – Every dollar invested in deep metadata is worth a hundred dollars in future sales

8 – A book’s function dictates its file container

9 – Readers are no longer passive customers

10 – Readers sell more books than any publisher

11 – To see only today is to forfeit tomorrow


Will Everyone Have To Re-Buy Sony eBooks?

August 13, 2009

UPDATE!
I have questions about today’s Press Release (regarding conversion to EPUB)

What will happen to previous purchases from the eBook Store from Sony, or to additional purchases that occur before the conversion?

Books that have been purchased from Sony’s eBook store in Broad Band eBook format (BBeB) will continue to work on existing devices. When the store is converted, customers will be able to re-download their previously purchased books in EPUB format.

Current Reader owners can continue to purchase and read their BBeB eBooks in the meantime.

Emphasis added by me.

Sony For The Win!

Original post:

Sony Press release: SONY CONVERTS eBOOK STORE TO EPUB FORMAT

SAN DIEGO, August 13, 2009 — In an effort to take the confusion out of digital book formats, Sony today announced its plan to convert its eBook store to the industry-standard EPUB format by the end of the year. Adopting an industry-standard format and Adobe® Content Server 4 (ACS4), a popular, cross platform server software solution that copy protects downloadable eBooks, allows Sony to make its eBook store compatible with multiple devices and its Reader devices open to multiple sources for content.

“Our intention is to lead by example,” said Steve Haber, president of Sony’s Digital Reading Business Division. “Our Readers have long supported industry-standard formats such as EPUB and PDF. Now, what is quickly becoming the de facto standard for eBooks will be available in our store.”

Emphasis added by me.

Additional coverage at the New York Times in a story written by Brad Stone (he who outed Fake Steve Jobs two years ago): Sony Plans to Adopt Common Format for E-Books.

Teleread doesn’t let the Times get away with anything: Adobe-DRMed ePub isn’t ‘open’: Why the New York Times urgently needs to clarify its Sony eBook Store article

Sony’s store has been a mixture of BBeB and ePub format for over a year. Sony has never bothered to place any identifiers in listings so people would know exactly what they were buying.

All I have for Sony is one important question: Will people have to re-buy their failed BBeB books to get ePub format?

If it is indeed Steve Haber’s intention to “lead by example,” he can start there.


The Capitulation Of Print Publishing

August 12, 2009

Chamberlain+Munich
Self-deluded Authors Guild rep waving Google Book Search Settlement agreement

PublishingAndGoogle
Self-deluded Authors Guild rep standing next to Google

Oh yes this bombastic analogy is apt!

1) Neville Chamberlain signed an agreement giving away property he did not own — just as the Authors Guild has done

2) Hitler knew what he wanted — so does Google

3) Hitler had a long-range plan — so does Google

4) Chamberlain was clueless — so is the Authors Guild

Stop this madness. Now.



Where I Stand Now

August 12, 2009

I need to do this post to make everything clear.

Most of this has been covered in recent posts, but this is the short all-in-one summary.

1) eInk = monochrome non-backlit display suited to viewing lightly tarted-up text files.

2) eBook = lightly tarted-up text file exemplified by the “industry standard” of –

3) ePub = an alleged “standard” pieced together by a committee without teeth, now a footstool of Adobe.

4) Axis of E = 1 + 2 + 3.

5) Digital book = multi-dimensional interactive book with a rich back-end metadata component that can connect to other digital books. What books need to be.

6) Google Book Search = there is no need to rush into this, it is based on a false understanding of what an “electronic book” is. Google understands the difference, so they want to rush.

People also wonder if I still endorse something like the Sony Reader (I have never endorsed the Kindle). Only conditionally:

1) You do not purchase any “eBooks” for it (because it’s likely you will have to repurchase those in digital book format)

2) You use it for library loans

3) You use it for public domain books

4) You use it for free eBooks

5) You use it to view your own material (manuscript, RSS feeds, etc)

I am, in short, now opposed to buying anything called an “eBook,” because it’s contributing to a “standard” that is doomed to be swept away.

Save your money. Borrow print books from a library.

It will be worth the wait.


So No Digital Books From Apple After All?

August 11, 2009

I should have known it was too good to be true, Apple acting as if it was entering digital books.

The “Cocktail” project that led me to believe Apple was creating a new digital book format turns out to be, diplomatically speaking, a defensive move by Apple to counter a competing strategy by four big music labels, a file format called CMX.

Sony, Warner, Universal and EMI to launch CMX album download format

It is understood that the record labels approached Apple, maker of the iPod, about 18 months ago with the plan to revitalise album downloads by bundling together extra features in a single download.

Industry insiders say that their project, with the working title CMX, was rebuffed by Apple. The technology giant is now understood to be working on its own format, codenamed Cocktail, which it hopes to launch within two months.

One senior record label insider said: “Apple at first told us that they were not interested, but now they have decided to do their own, in case ours catches on.”

Emphasis added by me.

Sadly, this behavior seems to be in Apple’s DNA. Direct your attention to The god of iPod

Later, Robbin told C&G about his idea to develop better MP3 player software. The result was SoundJam MP. The Apple engineering staff jumped in to help C&G with advice.

“They really liked what we were doing; it really showed off the Mac’s math co-processor,” Kunysz says. SoundJam quickly grabbed 90 per cent market share, pouring revenue into C&G’s coffers.

In a short time the three-man company grew to a staff of about 30, taking in as much as $US5.5 million annually, with the lion’s share coming from SoundJam.

And then one day, Kunysz says, “Apple comes to us like an 800-pound gorilla”. The message, he says, was: “Sell the rights or we’ll develop a competitive product and put you out of business.”

Emphasis added by me.

Right there is the dark history of the iTunes software.

So where does this leave us?

1) Apple creating a new format called “Cocktail.”

2) Could “Cocktail” be part of a larger digital book strategy?

3) Could Apple have seen CMX, already had digital books in mind, and decided that this was the ideal entry strategy?

4) Could Apple have rejected CMX as being too limited in format, unable to accommodate other things, less graceful than Apple’s fabled simplicity?

We won’t know until we see “Cocktail” and Apple talks about how it was developed and if it’s open at all to independent music publishers.

And whether “Cocktail” is in fact a framework for actual digital books.


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